I was working on class preparations in my studio this morning when I noticed the sunlight highlighting a section of a collage I made many years ago. Robert Mitchum from The Night of the Hunter. There it is. Another valuable nugget from the mine. Something I can use, right now.
Sometimes it’s right in front of you. An idea. Sometimes it’s staring right at you. Not waiting to be seen, waiting to be revealed and placed in the hands of the creative process.
In Atlanta, just southeast of downtown is a little neighborhood of called Cabbagetown. In the time I’ve lived in this city, Cabbagetown has become a street art Mecca. A destination for street artists and street art appreciators alike. As I’ve mentioned before, I live in the adjacent neighborhood of Reynoldstown, but just a short walk from the epicenter of the Cabbagetown street art scene. The Krog Street Tunnel is an ever-changing visual spectacle of street art. Unlike the murals around the corner, the tunnel is intended to be tagged and layered and covered and covered and covered some more.
Shaking’ Things Up is the first sticker slap in a new (as of yet untitled) series of work. I finally have something I wanted to add to the Tunnel.
Here are some images of the results. These are just the highlights of my Krog Street sticker slaps.
The kids call them slaps. Stickers. Well, when used as street art they’re are called slaps or sticker slaps. At least that’s what I’ve been told.
I went to the Krog Street Tunnel to add some slaps. Just a little of my flavor added to the constant storm of visual stimulation in this location. While there, I found a group of kids having fun and gave them some stickers to spread around other locations in Atlanta. Spontaneous assistance. It’s nice to have help when taking care of business like this.
Yesterday afternoon I walked to the street art Mecca of Cabbagetown in Atlanta. I live in the area. Just two short blocks from the epicenter, the Krog Street Tunnel. It’s a crazy kitchen, but I still want to add a little of my own flavor to the stew.
I’m not finished. I’m just getting started.
I am not alone nor do I want to work alone. I want help spreading these stickers (and the future ones I make) around on a local and national level. Reach out to me via private message (or other means) if you’re interested and I’ll get some into your hands one way or another.
It’s hard for me to work on one series of art at a time. Back and forth I go between mixed media paintings, map drawings and street art. My exhibition came together in a whirlwind and left me in a bit of a haze. Blowing out of that smoke came the need to further explore the work I have been doing in my other two primary areas of interest: map drawings and street art. Also, I am pursuing a new medium, screen printing. I am discovering fresh new energy at a time when I need it most. I am excited by the challenges of learning a new medium. Beyond that, I have started a new series of map drawings that have me excited. I also feel recharged by exploring different ways of making street art.
All of this is what led to the decision to make a series of stickers. Not unlike my mixed media paintings, this is commentary on contemporary culture. However, in the street art format, I am intentionally more sharp and direct. The first in the series is shown below.