Last week, I drove to Kansas City to visit my friend Tarin Eicher. I brought along some new work to paste up while out there. Most of it we pasted in Crossroads (specifically Art Alley) and the Historic West Bottoms neighborhood. It was a great trip, had lots of fun. Here are a few images of the work I left behind.
Yesterday was a big day. I finally installed another large scale paste up installation. This time I was assisted by my colleague and friend Mike Brown and SCAD-Atlanta students Daniel Byrd, Sally Burns, Carmen Reyes and Ruby Chen. All students in Mike’s Street Art class.
I decided against using the wall on Wylie Street I used last year. It’s location is perfect, however it’s ridged surface was too difficult to work with. The weather was able to get behind the work which made it deteriorate too quickly. Those three works lasted about 8 months before complete deterioration. Therefore, I needed to find a flat wall so my work could be viewed for a longer period of time.
The students asked me what this work, titled “What Is Old Is New Again (God Machine)” is about. I can sum it up in one sentence. It’s about the business of religion.
The work is located in Reynoldstown, on Fulton Terrace, near the intersection with Chester Avenue.
So, I’ve been telling you all that I’ve been working on something big. As you can now see, I wasn’t joking around. Last night, with the help of a couple of friends (shout out to Damon & Jeff), I installed the first of my new large format pieces of art.
This is my new direction. The work is comprised of many panels and is 8 feet tall and 50 feet wide in total.
Here are some pictures of the preparation, installation and the final result.