A couple of weeks ago I added more of my Lies brand posters. Here are some images. I’ve already been painted over and torn down. When it comes to this kind of street art, it’s the nature of the beast. All posters are along the Beltline on Wylie Street in Reynoldstown, Atlanta. Just a couple of blocks east of the famed Krog Street tunnel.
Back home in Atlanta, I decided to take on the notorious metal wall again. The one along the Beltline on Wylie Street. This is the wall I used last summer for three large scale works. This time, the ridges of the wall were not an issue because I was working much smaller than before.
So here are images of the first 25 posters I pasted up in Atlanta. I have more, there will be more coming up in the very near future. Maybe even tonight.
Loyalty above all else will result in lies of one kind or another.
My latest body of work is a series of posters promoting a brand called Lies. The slogan for the Lies brand is Loyalty Above All Else. This is an idea that was conceived and specifically made for the streets. This series is intentionally more straightforward than the non-sequitur based imagery I typically create.
These posters are intended to be a sign of the times. Direct statements about the culture we inhabit in 2017. They are statements that critique our political culture and consumer culture. This statement belongs on the street, not in a gallery.
In our political culture, facts are more often being manipulated beyond recognition. Beyond that we have a leader that doesn’t know how to lead. A man that values loyalty over honesty and integrity. In our consumer culture, manipulated facts are accepted and commonplace. Brand loyalty is what matters most.
At this point, the Loyalty Lies series includes 8 different posters that serve as advertisements promoting the Lies brand. The Lies brand logo comes in two versions (as seen in the first photograph). Background photos are my own (taken straight from my Instagram page). The future is wide open in regard to where this concept goes next.
Earlier this month I was on the road again. This time I pasted up some posters in the city of Louisville. My friend (and Louisville resident) Jennifer Palmer assisted me with the job. We hung up the posters in Smoketown, a neighborhood just southeast of downtown. Here are some pictures of what I left behind.
Last week, I drove to Kansas City to visit my friend Tarin Eicher. I brought along some new work to paste up while out there. Most of it we pasted in Crossroads (specifically Art Alley) and the Historic West Bottoms neighborhood. It was a great trip, had lots of fun. Here are a few images of the work I left behind.
Yesterday was a big day. I finally installed another large scale paste up installation. This time I was assisted by my colleague and friend Mike Brown and SCAD-Atlanta students Daniel Byrd, Sally Burns, Carmen Reyes and Ruby Chen. All students in Mike’s Street Art class.
I decided against using the wall on Wylie Street I used last year. It’s location is perfect, however it’s ridged surface was too difficult to work with. The weather was able to get behind the work which made it deteriorate too quickly. Those three works lasted about 8 months before complete deterioration. Therefore, I needed to find a flat wall so my work could be viewed for a longer period of time.
The students asked me what this work, titled “What Is Old Is New Again (God Machine)” is about. I can sum it up in one sentence. It’s about the business of religion.
The work is located in Reynoldstown, on Fulton Terrace, near the intersection with Chester Avenue.
So, I’ve been telling you all that I’ve been working on something big. As you can now see, I wasn’t joking around. Last night, with the help of a couple of friends (shout out to Damon & Jeff), I installed the first of my new large format pieces of art.
This is my new direction. The work is comprised of many panels and is 8 feet tall and 50 feet wide in total.
Here are some pictures of the preparation, installation and the final result.