Logistically, I started focusing my street art displays on one location. An old favorite. The wall across the street from my house on Wylie Street. The place I used for three of my four large scale paste up pieces. I posted about them years ago. You can find pictures here, here, and here.
This wall is ridged, which made it too difficult for pasting up the large-scale prints. Too much surface area. However, this would not be a problem with these new smaller posters. Therefore, I went to work making a large scale display.
Yesterday was a big day. I finally installed another large scale paste up installation. This time I was assisted by my colleague and friend Mike Brown and SCAD-Atlanta students Daniel Byrd, Sally Burns, Carmen Reyes and Ruby Chen. All students in Mike’s Street Art class.
I decided against using the wall on Wylie Street I used last year. It’s location is perfect, however it’s ridged surface was too difficult to work with. The weather was able to get behind the work which made it deteriorate too quickly. Those three works lasted about 8 months before complete deterioration. Therefore, I needed to find a flat wall so my work could be viewed for a longer period of time.
The students asked me what this work, titled “What Is Old Is New Again (God Machine)” is about. I can sum it up in one sentence. It’s about the business of religion.
The work is located in Reynoldstown, on Fulton Terrace, near the intersection with Chester Avenue.